Producer-director Stanley Donen’s 1967 “Two for the Road” made me glad not to have children, The movie is less shocking a revelation of marriage killing romance than it was at the time, but in a rare instance of the elfin but often emotionally tough Hepburn being paired with younger man, Audrey Hepburn was beautiful and funny as Joanna. As Mark, Albert Finney was already something of a bully (officially 5’9”, perhaps compensating for his lack of height?) but there is chemistry between him and Hepburn. When she says, “I’ll never let you down,” he realistically responds, “I will” —and does, though they are still together (if bickering) at the end of the movie.
The American couple (Eleanor Bron and William Daniels) with a very spoiled daughter (Ruthie) is horrifying, yet Hepburn accepts Finney’s marriage proposal when it comes, and soon they are estranged with a difficult (if not as monstrous) a daughter. He has casual infidelities, she one (with Georges Descrières) that is open and definitely pains her husband.
Screenwriter Frederic Raphael (1931-) was no romantic, having already won an Oscar for the screenplay of “Darling” and later to adapt Schnitzler for Kubrick’s “Eyes Wide Shut” (he also adapted Hardy’s Far from the Madding Crowd with a sometimes pragmatic, sometimes passionate Julie Christie and Henry James’s Daisy Miller for Bogdanovich, a film I think much underrated). His screenplay for “Two for the Road” was Oscar-nominated.
I don’t remember films jumping back and forth in time without any date titles back in that day. Hepburn had many, many changes of clothes. I noticed a long list of coutures in the opening credits. There are also multiple cars driving through the south of France on annual summer trips over the course of 10 or 12 years of the relationship.
I don’t like Henry Mancinni’s soundtrack. The movie did not earn back its production costs, btw, even with that pop Midas touch.
Both Finney and Donen died earlier this year. I think that “Two for the Road” has aged better than Donen’s other 1967 movie, which I once liked, “Bedazzled.” (Then he made the really terrible “Staircase”, the mediocre “The Little Prince,” and “Lucky Lady,” which I may be the only person to like, having been at the Mexican location where some of it was filmed).
©2018, Stephen O. Murray