Medoruma Shun won the Akutagawa Prize in 1997 for Suiteki (水滴 A Drop Of Water, translated by Michael Molasky as “Droplets“). Owing perhaps a little to Kafkza’s “Metamorphosis,” it is a work of Okinawan “magical realism.” Fifty years after the epic carnage of the Battle of Okinawa, a veteran named Tokushô wakes up one morning unable to move or speak with his right shin grotesquely bloated, resembling a gourd melon (tôgan). His hard-working wife Ushi is frustrated that she will have to do all the work in the fields. Convinced that villagers are experimented on in university hospitals, she refuses to allow their physician to have Tokushô admitted to one.
The liquid that drips out between the big toe and its neighbor is analyzed as ordinary water. Every night ghosts (I use the word since they can go through walls, they are not labeled anything in the English translation) who were left to die in a cave by Tokushô and other wounded but ambulatory soldiers come and drink the droplets from his foot. His generalized survivor guilt it concentrated on Ishimine, a comrade from the same area of Okinawa to whom Tokushô promised to bring water, but didn’t. Ishimine’s ghost does not speak, but Tokushô feels forgiven before the swelling subsides and he is able to move and speak again.
POW on Okinawa, 1945 (in public domain)
Tokushô’s cousin, Seiyû, who strikes me as a sort of minor league Milo Minderbender, discovers that the drippings can stimulate the growth of hair and also cure impotency and, unbeknownst to Tokushô or Ushi, makes a small fortune selling bottles of the drippings. The effects prove to be only temporary and the hustler is set upon by those who bought “miracle water” from him.
In common with Medoruma’s masterful novel In the Woods of Memory (first published in Japanese in 2009, just published in English), “Droplets” shows the agonies of 1945 still festering half a century later and also shows rural Okinawans as being far from noble or innocent (though those in “Droplets” do not behave as badly as the bullies and serial rapists of Woods). I find the characters less developed (though taking up equivalent space on pages) in “Droplets,” and the novella more interesting as phenomenon than as literature. I did not find it “engaging,” as Akutagawa jude Kôno Taeko did.
©2017, Stephen O. Murray